Having just seen No Country For Old Men a second time, I am sure that the Coen brothers’ latest movie is full of self-referential cinematic jokes. I wonder why they would include such antics in what is one of their most serious movies. No matter, let’s have some fun pointing them out.
1) When Llewlyn has a striking thought in his bed at night (twice: the water, and the transponder), the camera angle and lighting mimic the epiphany of Nic Cage’s character in Raising Arizona in the last moments of that film.
2) Carson Wells’ throwaway line about counting the floors that lead up to an office serves two functions: first, to show the flippant meticulousness of Wells’ character. Second, it is a reference to The Hudsucker Proxy, in which men of similar character worry about whether or not the mezzanine ‘counts’ as a floor.
3) And the U.S. border guard who chews out Moss is not pacified until Moss tells him about his Vietnam service record. And he’s wearing Aviators. Just like Walter’s in The Big Lebowski.
Too far-fetched? There are a few other references I considered, but am not familiar enough with all of the Coens’ films to be sure. Did you notice any others? And why would the Coens be so silly?
Let me know what you think…
December 21, 2007 at 11:24 pm
If you want to contrast and compare you could say the whole concept that an unbeatable bounty hunter from hell going after the good guys is similar to “Raising Arizona”.
The police officer who doesn’t understand why people do bad things to each other is an echo from “Fargo”.
The images of empty land that begin the film is similar to “The Big Lebowski”.
December 22, 2007 at 3:09 am
Thanks, Phillip! Your comparison of the ‘bounty hunters from hell’ reminded me of mirrored, albeit slightly, scenes of the two: shooting the bird on the bridge, and shooting the rabbit in the desert. The intended effect (and framing) of these two is different, but still, a worthwhile comparison!
December 23, 2007 at 8:57 am
That’s one of the places where I drew such a comparison.
I would have to see “No Country” again for further insights as my mind is filled to the brink with the onslaught of Holiday released movies.
January 22, 2008 at 7:07 pm
Great film and those comparisons are certainly interesting.
As to why the Coens would do such a thing, I think you’d have to delve further back into the tradition of film for that answer. Long have directors and filmmakers used shots, setups, and other elements from their previous films in other films. Kurosawa, Scorsese, Spielberg, Tarantino, Fellini, and gobs of other filmmakers have done this time and time again.
So it’s not really “silly” in the traditional sense, but rather more like paying homages to fans of the films of the Coen Brothers. Also, as a filmmaker, you’re probably going to use similar themes, setups, lighting, camerawork, etc. when it’s worked for you in the past. You may even use repeat characters, a la Jay and Silent Bob in Kevin Smith’s films.
January 24, 2008 at 6:28 pm
Thanks, CC. Comments from Canadians are always welcome.
True, about the history of homages…but is there a greater purpose in NCFOM than just paying homage to fans?